The Great Gatsby | |
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![]() Cover of the first edition, 1925. |
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Author | F. Scott Fitzgerald |
Cover artist | Francis Cugat |
Country | United States |
Language | English |
Genre(s) | Novel |
Publisher | Charles Scribner's Sons |
Publication date | April 10, 1925 |
Media type | Print (Hardback & Paperback) |
ISBN | NA & reissue ISBN 0-7432-7356-7 (2004 paperback edition) |
The Great Gatsby is a novel by the American author F. Scott Fitzgerald. First published on April 10, 1925, it is set on Long Island's North Shore and in New York City during the summer of 1922. It is a critique of the American Dream.
The novel chronicles the anomie following the First World War. American society enjoyed unprecedented levels of prosperity during the "roaring" 1920s as the economy soared. At the same time, Prohibition, the ban on the sale and manufacture of alcohol as mandated by the Eighteenth Amendment, made millionaires out of bootleggers and led to an increase in organized crime. Although Fitzgerald, like Nick Carraway in his novel, idolized the riches and glamor of the age, he was uncomfortable with the unrestrained materialism and the lack of morality that went with it, a kind of decadence.
Although it was adapted into both a Broadway play and a Hollywood film within a year of publication, it was not popular upon initial printing, selling fewer than 25,000 copies during the remaining fifteen years of Fitzgerald's life. It was largely forgotten during the Great Depression and the Second World War. After its republishing in 1945 and 1953, it quickly found a wide readership and is today widely regarded as a paragon of the Great American Novel, and a literary classic. The Great Gatsby has become a standard text in high school and university courses on American literature in countries around the world,[1] and is ranked second in the Modern Library's lists of the 100 Best Novels of the 20th Century.
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After the birth of their child, the Fitzgeralds moved to Great Neck, Long Island in October 1922, appropriating Great Neck as the setting for The Great Gatsby. Fitzgerald's neighbors included such newly wealthy New Yorkers as writer Ring Lardner, actor Lew Fields and comedian Ed Wynn.[4] Great Neck, on the shores of Long Island Sound, sat across a bay from Manhasset Neck or Cow Neck Peninsula, which includes the communities of Port Washington, Manorhaven, Port Washington North and Sands Point, and was home to many of New York's wealthiest established families. In his novel, Great Neck became the new-money peninsula of "West Egg" and Manhasset Neck the old-money peninsula of "East Egg".[5]
Progress on the novel was slow. In May 1923, the Fitzgeralds moved to the French Riviera, where the novel would come to completion. In November, he sent the draft to his editor at Charles Scribner's Sons, Maxwell Perkins, and his agent Harold Ober. The Fitzgeralds again relocated, this time to Rome, for the winter. Fitzgerald made revisions through the winter after Perkins informed him that the novel was too vague and Gatsby's biographical section too long. Content after a few rounds of revision, Fitzgerald returned the final batch of revised galleys in the middle of February 1925.[6]
The cover of The Great Gatsby is among the most celebrated pieces of jacket art in American literature.[7] A little-known artist named Francis Cugat was commissioned to illustrate the book while Fitzgerald was in the midst of writing it. The cover was completed before the novel, with Fitzgerald so enamored of it that he told his publisher he had "written it into" the novel.[7]
After several initial sketches of various completeness, Cugat produced the Art Deco-style gouache of a pair of eyes hovering over the bright lights of an amusement park. The woman has no nose but full and voluptuous lips. Descending from the right eye is a green tear. The irises depict a pair of reclining nudes.[7]
Fitzgerald's remarks about incorporating the painting into the novel led to the interpretation that the eyes are reminiscent of those of Dr. T. J. Eckleburg (the novel's erstwhile proprietor of a faded commercial billboard near George Wilson's auto-repair shop) which Fitzgerald described as "blue and gigantic — their irises are one yard high. They look out of no face, but, instead, from a pair of enormous yellow spectacles which pass over a non-existent nose." Although this passage has some resemblance to the painting, a closer explanation can be found in the description of Daisy Buchanan as the "girl whose disembodied face floated along the dark cornices and blinding signs".[7]
The last piece to fall into place was the title. Fitzgerald was always ambivalent about it, shifting between Gatsby; Among Ash-Heaps and Millionaires; Trimalchio; Trimalchio in West Egg; On the Road to West Egg; Under the Red, White, and Blue; Gold-Hatted Gatsby; and The High-Bouncing Lover. Initially, he preferred Trimalchio, after the crude parvenu in Petronius's Satyricon. Unlike Fitzgerald's reticent protagonist, Trimalchio actively participated in the audacious and libidinous orgies that he hosted. That Fitzgerald refers to Gatsby by the proposed title just once in the entire novel reinforces the view that it would have been a misnomer. As Tony Tanner observes, however, there are subtle similarities between the two.[8]
On November 7, 1924, Fitzgerald wrote decisively to Perkins — "I have now decided to stick to the title I put on the book [...] Trimalchio in West Egg" — but was eventually persuaded that the reference was too obscure and that people would not be able to pronounce it. His wife and Perkins both expressed their preference for The Great Gatsby and, in December, Fitzgerald agreed.[9] A month before publication, after a final review of the proofs, he asked if it would be possible to re-title it Trimalchio or Gold-Hatted Gatsby, but Perkins advised against it. On March 19, Fitzgerald asked if the book could be renamed Under the Red, White and Blue, but it was at that stage too late to change. The Great Gatsby was published on April 10, 1925. Fitzgerald remarked that "the title is only fair, rather bad than good".[10]
Nick Carraway, the narrator, is a young bachelor from a patrician Midwestern family, who graduates from Yale in 1915. After fighting in The Great War he returns to the Midwest before settling in New York City to "learn the bond business."
Nick explains that in 1922 he rented a bungalow between two mansions in West Egg, a wealthy community on Long Island Sound. Across the bay was East Egg, inhabited by the "old aristocracy," including Tom and Daisy Buchanan. Daisy is Nick's second cousin once removed and Nick knew of Tom, a football player at New Haven. Nick describes the Buchanans in a visit to their East Egg mansion: although phenomenally wealthy, Tom's glory days are behind him; he is a dilettante. Daisy, although engaging and attractive, is pampered and superficial with a largely ignored three-year-old daughter. Daisy's friend Jordan Baker, a well-known female golfer, shows an interest in Nick and tells him that Tom has a mistress in New York City.
One day Tom and Nick take a train ride together to New York and on the way they stop at a shabby garage owned by George Wilson, where Nick is introduced to the owner's wife, Myrtle (Tom's mistress). Nick accompanies Tom and Myrtle to their Manhattan love-nest, where Myrtle presides over a pretentious party that includes her sister and several others. Nick finds the evening increasingly unbearable but does not leave until Tom breaks Myrtle's nose in a spat.
Nick learns that his next-door neighbor, who throws lavish parties hosting hundreds of people, is the wealthy, mysterious Jay Gatsby. Nick receives an invitation one weekend and attends, finding the party wild and fun. However, he also discovers the guests do not know much about Gatsby and that rumors about the man are contradictory. Nick runs into Jordan Baker, who invites him to join her. While looking for Gatsby, they run into a man with large "Owl Eye" glasses admiring Gatsby's collection of books. Later, a man strikes up a conversation with Nick, claiming to recognize him from the US Army's Third Infantry Division during the Great War. Nick mentions his difficulty in finding the host, and the man reveals himself to be Gatsby. An odd, yet close, friendship between Nick and Gatsby begins.
One day, Gatsby drives Nick to New York City. Gatsby presents a clichéd description of his life as a wealthy dilettante and war hero to an incredulous Nick, but the latter is convinced when Gatsby displays a war medal and photograph. In New York, Gatsby introduces a bemused Nick to underworld figure Meyer Wolfsheim (based on Arnold Rothstein). Nick then sees Tom and tries to introduce Gatsby, but finds that Gatsby has disappeared.
Jordan Baker later reveals to Nick that Gatsby had fallen in love with Daisy in 1917 as an Army Lieutenant stationed near Daisy's hometown, Louisville. After the war, Gatsby came east and bought his mansion near Daisy and Tom, where he hosts parties hoping she will visit. Jordan says Gatsby would like Nick to arrange a meeting with Daisy. Nick agrees, and invites Daisy and Gatsby to his house. The reunion is initially awkward, but Gatsby and Daisy begin a love affair. An affair also begins for Nick and Jordan, but Nick predicts their relationship will be superficial.
Daisy invites Gatsby and Nick to her mansion, where Tom discovers that Gatsby loves Daisy and, accompanied by Tom and Jordan, they depart for the Plaza Hotel in Manhattan. Tom insists he and Gatsby switch cars; as he stops by Wilson's garage for gas he flaunts Gatsby's roadster. At the hotel Tom confronts Gatsby about their affair. Gatsby urges Daisy to say she never loved Tom; Daisy says that although she did love Tom "once," she loved Gatsby "too." Tom mockingly tells Gatsby nothing can happen between him and Daisy. Gatsby retorts that the reason Daisy married Tom was because he (Gatsby) was too poor to marry Daisy. Tom visibly loses composure and reveals that Gatsby is a bootlegger. Gatsby tries to defend himself to Daisy. However, Tom knows Daisy's superficial nature very well and by taking away Gatsby's air of financial security, Daisy is now beyond his reach. With the situation between Tom and Gatsby tense, Daisy runs out of the hotel, with Gatsby following her, to Gatsby's car, where she insists on driving home as it will calm her nerves. Tom, believing he has bested Gatsby, leaves with Nick and Jordan.
George Wilson, also suspicious that his wife is having an extramarital affair, argues with her. Myrtle runs outside as Gatsby's roadster approaches (believing it to be Tom), only to be struck and killed by the car. Daisy and Gatsby speed away. Later, Tom, Jordan and Nick notice a commotion by Wilson's garage on their way to East Egg, and stop. While George mourns, moaning over his wife's body, a bystander tells of having seen a yellow car strike Myrtle. As George takes in this information, Tom tells George the car wasn't his, but George doesn't seem to listen and Tom, Jordan, and Nick leave.
Later that night Nick learns the truth of the accident from Gatsby — Daisy was driving when the car struck Myrtle. The next morning Nick finds Gatsby depressed, unsure whether Daisy still loves him, and awaits a call from her. Seeing himself as Gatsby's closest friend, Nick advises Gatsby to leave for a week. "They're [Daisy, Tom, Jordan] a rotten crowd," Nick says, "You're worth the whole damn bunch put together."
Having tracked the owner of the roadster, Wilson appears at Gatsby's mansion with a gun. George finds Gatsby floating in his pool and kills him before committing suicide.
Despite Nick's efforts, few people attend Gatsby's funeral. In the end, only Nick, Gatsby's father, and the "owl-eyed" man who admired the books in Gatsby's library show up at his funeral.
Nick severs connections with Jordan (who claims to be engaged to another man, although Nick believes she is lying). Also, Nick has a run-in with Tom, who admits that he revealed that Gatsby was the owner of the roadster to George Wilson, leading the deranged man to find and kill Gatsby.
Nick returns permanently to the Midwest, reflecting on Gatsby's dreams and the sad and cyclical nature of the past.
The Great Gatsby received mostly positive reviews,[13] but was not the commercial success of Fitzgerald's previous novels This Side of Paradise and The Beautiful and Damned. In essence, it failed compared to its predecessors. The book went through two printings. Years later, some of these copies were still unsold.[14] Many of Fitzgerald's literary friends, however, wrote him letters praising the novel.
When Fitzgerald died in 1940, he had been largely forgotten. He believed himself to be a failure. His obituary in The New York Times mentioned Gatsby as evidence that he had great potential that he never reached.[15] But people began to read his book again, aided in part by the Armed Services Editions giving away around 150,000 copies of Gatsby to the American military in World War II.[16]
In 1951 Arthur Mizener published The Far Side of Paradise. By the 1960s the novel's reputation was established and it is frequently mentioned as one of the great American novels.
Critics have viewed it differently in each decade, and in recent years Brechtian, Freudian, postmodernist and Feminist perspectives have joined the more traditional interpretations.[17]
The Great Gatsby has been filmed five times:
In the HBO television series Entourage, the character Vincent Chase (Adrian Grenier) is hired by Martin Scorsese for a film adaptation of the book, where he plays Nick.[19]
The second season of the Showtime television series Californication, starting with its second episode The Great Ashby, is partly a modern take on the novel, with the characters Lew Ashby, Janie Jones and Hank Moody as modern versions of Jay Gatsby, Daisy Buchanan and Nick Carraway.[20][21]
Warner Bros. Pictures are producing a Bollywood adaptation of the novel and is set to be directed by award-winning director, Sanjay Leela Bhansali. It will feature an ensemble cast starring Hrithik Roshan, Kareena Kapoor, Saif Ali Khan, Ranbir Kapoor and Prachi Desai. The film is set for release on August 19, 2011.
An operatic treatment of the novel was commissioned by the New York Metropolitan Opera to commemorate the 25th anniversary of the debut of James Levine. The work, which is also called The Great Gatsby, premiered on December 20, 1999.
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